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When he appears his wit and charm captivate (among the rest) Felicity, who meets him for the first time. Whistler is smitten with her beauty. The conversation veers to the forth-coming case of Whistler versus Ruskin and there is great excitement. Felicity's aunt, Lady Meed, leaves in great dudgeon, with Whistler in tow. Whistler is almost persuaded to drop the case, when a message arrives from Ruskin's solicitors and changes that.\r\nAct II, Scene i: an ante-room at the court, where the celebrated trial is proceeding. The extravagant bohemian wins the case and, although he has to find his own costs, is grmily elated. At the close he is approached by a delightful woman, Beatrice Goodwin, who sympathises with him eagerly and intelligently. The second scene of Act II is at the banquest in Whistler's house that night to celebrate his \"\"victory\"\". The bailiffs are there, but Whistler has disguised them as waiters. Now Felicity, as well as fortune, fails him. As the furniture is being removed, a table falls apart-he seizes a piece of it. They have left him, at least, a leg to stand on. The final Act is set six months later, again Whistler's house, but stripped bare. Du Maurier and Beatrice sit over a picnic lunch at a box. The hammer of the auctioneer, selling up Whistler's effects can be heard off-stage. Whistler is no whit dispirited-and there are comic scenes between him and his buyers; a serious confab with Du Maurier and, later, a romantic one with Beatrice. They survey the empty room-to be sure, they have a clean start, and gaily end the play.\r\nSetting:\r\nI Sunday Morning Breakfast with Whistler. Room in Whistler's house, Lindsay Road. September 1878.\r\nII.i The Trial. An ante-room of the Exchequer Division, Westminster, 26 November 1878.\r\nII.ii The same as Act I. That night.\r\nIII The same as Act I. An afternoon in May 1879. Six months later.\r\nCharacters:\r\nLADY MEED\r\nFELICITY ECKS, her neice\r\nDIBBS, Whistler's man\r\nOSCAR WILDE\r\nTHOMAS WOODBEE\r\nEDWARD and FREDRICK COPPIE, pupils of Whistler\r\nJAMES ABBOT McNEIL WHISTLER\r\nGEORGE DU MAURIER\r\nCOUNT RUDELLO\r\nA PRECIOUS YOUNG MAN\r\nBEATRICE GODWIN\r\nBARTHE, an art dealer\r\nSIR JOHN HOLKER, Attorney-General\r\nTWO BAILIFFS, AN AUCTIONEER and BUYERS"]]]],["element",{"elementId":"39"},["name","Creator"],["description","An entity primarily responsible for making the resource"],["elementTextContainer",["elementText",{"elementTextId":"227"},["text","Morell, Musette"]]]],["element",{"elementId":"48"},["name","Source"],["description","A related resource from which the described resource is derived"],["elementTextContainer",["elementText",{"elementTextId":"228"},["text","NUNE: Campbell Howard Collection. QU: Hanger Collection."]]]],["element",{"elementId":"45"},["name","Publisher"],["description","An entity responsible for making the resource available"],["elementTextContainer",["elementText",{"elementTextId":"229"},["text","[not stated in UNE collection record]"]]]],["element",{"elementId":"40"},["name","Date"],["description","A point or period of time associated with an event in the lifecycle of the resource"],["elementTextContainer",["elementText",{"elementTextId":"230"},["text","1937"]]]],["element",{"elementId":"37"},["name","Contributor"],["description","An entity responsible for making contributions to the resource"],["elementTextContainer",["elementText",{"elementTextId":"231"},["text","University of New England Library, New South Wales, Australia"]]]],["element",{"elementId":"47"},["name","Rights"],["description","Information about rights held in and over the resource"],["elementTextContainer",["elementText",{"elementTextId":"232"},["text","No known copyright restrictions"]]]],["element",{"elementId":"46"},["name","Relation"],["description","A related resource"],["elementTextContainer",["elementText",{"elementTextId":"233"},["text","NUNE: Campbell Howard Collection"]]]],["element",{"elementId":"42"},["name","Format"],["description","The file format, physical medium, or dimensions of the resource"],["elementTextContainer",["elementText",{"elementTextId":"234"},["text","PDF 8.61MB"]]]],["element",{"elementId":"44"},["name","Language"],["description","A language of the resource"],["elementTextContainer",["elementText",{"elementTextId":"235"},["text","en"]]]],["element",{"elementId":"51"},["name","Type"],["description","The nature or genre of the resource"],["elementTextContainer",["elementText",{"elementTextId":"236"},["text","Text"]]]],["element",{"elementId":"43"},["name","Identifier"],["description","An unambiguous reference to the resource within a given context"],["elementTextContainer",["elementText",{"elementTextId":"237"},["text","more-hisgentleartofmakingenemies-a4.pdf"]]]],["element",{"elementId":"38"},["name","Coverage"],["description","The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant"],["elementTextContainer",["elementText",{"elementTextId":"238"},["text","Australia; 1920-1955"]]]]]]]]]